P / P Introspective: The Death of Phillip Seymour Hoffman and the Plights and Patterns of Artists

I wrote this the day I heard about Seymour Hoffman’s death. It’s part one of a culmination of some things I’ve been thinking about for months. -je

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February 2, 2014

A week before Phillip Seymour Hoffman was found dead, I was sitting in my room watching an episode of Jerry Seinfeld’s current web series, Comedians in Cars Getting Coffee. There was one particular episode where Jerry is having coffee with David Letterman, and he talked about how he felt life was very repetitious. He expressed that he’d been satisfied with his life for a long time and a big reason why he liked having children was because, “it was something to watch.” I know that sounds emotionally barbaric, but I understood what he meant. Seinfeld’s name is the title of the most successful television show of all time, and he’s never had any bad press, so when I saw the news about Hoffman’s death, I immediately thought, “He had nothing to watch.” Continue reading

P / P Album Review: Dead Leaf Echo – true.deep.sleeper

Written by: Lauren Espina

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Listen to true.deep.sleeper here

Since its inception in 2008, Dead Leaf Echo has mastered a dark, pensive brand of new wave that drifts in a realm somewhere between dream pop and shoegaze. The Brooklyn-based outfit released its debut LP, Thought & Language, in 2013, capturing its wandering sonic aesthetic on a full-length effort for the first time after having released a steady stream 7″ and EPs. Dead Leaf Echo makes a return to the shorter format on its latest offering, the true.deep.sleeper EP, which officially drops on February 25th via Moon Sounds Records. Continue reading

P / P Introspective: Pussy Riot Takes on…an Entire Country

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I learned about Pussy Riot before they were arrested and put in jail for “Hooliganism” and “hatred against religion” in February 2012. I’d been running an international music collective and music blog, called The Process Records and had become familiar with Estonian and Russian underground rock and roll through the grapevine of the European music scene.

I could write about dates, facts and create an intricate timeline of everything that happened to Pussy Riot, but what I’d like to do is express how these women are highlighting and even birthing a movement of soviet feminist ideology. Continue reading

P / P Album Review: POW! – High-Tech Boom

Written By: Hunter Stroope

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Genre: “Synth Punk”
Label: Castle Face Records
Release Date: January 21, 2014

Pow!: An Analog Synthesis of punk and psyche, a fuck-all attitude on par with local success’s Ty Segall and Warm Soda, and the armed messengers sent from the local complaint department. They have recently released their debut album High-Tech Boom on Castle Face Records, carrying with it a constant theme, (or dare I say concept? I will…) and that theme is “We prefer San Francisco as a cultural collage, seen through the clear lens of Ray Ban, not through the pixelated dystopian view of the Google Glass (holes).” Continue reading

PUBLIK PRIVATE MIXTAPE #4.04 ~ THE VINTAGE MIXTAPE

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It’s so interesting to think about all the things that have happened, and all the people that have lived before us. There is an old saying that goes, “there’s nothing new under the sun.”

Soon memorabilia from the ’90s will become vintage. Soon our parents will pass away, and maybe we’ll  be raising children of our own who have never seen a LAN line telephone or have written a letter to a pen pal. Hell, there’s a chance in the next few years, children will not enter a post office until they are adults…. Continue reading

P / P Introspective: How Does it Feel?

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an essay about social media, introspection and telepathic connections brought on by the desperation of long distance. 

When I was a young girl, up until I was about 17, I never spoke. I hid in closets to avoid family gatherings and carried books and journals around like they were the only possessions I had in the world. I lived in my head and read Shakespeare and Camus like they were my Bibles. My classmates constantly and comfortably told me I’d never fit in. I was too quiet, and I didn’t “talk like Black people.” Everyone was so matter-of- fact about my being weird and odd. Kids in my neighborhood confidently called me ugly (even though I never really thought I was). I knew the Hunchback of Notre Dame was ugly. I knew the Phantom of the Opera, the Elephant man and Frankenstein were ugly, I didn’t think I looked like any of them. Continue reading