Written By: Kaila Philo

Photo Credit: Max Goldberg

What a year for mental health, eh?

This year trigger warnings have come under fire for, for lack of better phrasing, shielding university students from troubling topics and, thus, hindering their education.

Triggers are subjects, themes, pictures, videos, etc, that may elicit panic attacks or other terrible mental/physical consequences that are direct results of past traumas. Trigger warnings are defined by dictionary.com as “stated warnings that the content of a text, video, etc., may upset or offend some people, especially those who have previously experienced a related trauma”. Trigger warnings began as a tool for Tumblr users to feel more comfortable navigating discourse around the Internet. The purpose of these warnings is to give trauma survivors some sort of choice in what they’re exposed to; they allow them the space and time to brace themselves for the impact of what’s to come or avoid them altogether.

There have been a cavalcade of thinkpieces about trigger warnings in the past few years—including Jonathan Chait’s highly-circulated “Not a Very P.C. Thing to Say” for New York Magazine and the University of Chicago publicly denouncing trigger warnings in a letter to incoming freshmen—and most pundits have taken one of two sides: Yes, trigger warnings are necessary for students with traumatic pasts or no, trigger warnings are an insult to their intelligence. Somehow.

Sexual assault has also been a widely and oft debated topic lately, from the Nate Parker’s accusation (and subsequent foolish ramblings excusing himself for it) to the seemingly neverending Brock Turner mishandling. 2016 has become a year rife with discourse surrounding rape culture, for better or for worse considering this discourse has been spotty at best. So, it wouldn’t be far-fetched to assume that sexual assault survivors are going through a difficult time seeing as they’re forced to relive their own violent experiences in order to address current events or even turn on the news these days.

This wasn’t helped by the deplorable Donald Trump, who’s dominated headlines since he announced his presidential candidacy. This week the #TrumpTapes hit the internet and began circulating at rapid speed due to one reason: He talks about how easy it is for him to sexually harass and assault women. He infamously describes how he gets to grab women “by the p***y”, among other things, and later describes this discussion with Today Show host Billy Bush as “locker-room talk”.

Ironically, this isn’t the first, nor the most offensive, statement from Trump that’s surfaced during his bid for the presidency. He’s had a history of bigotry, spanning all the way back to the ‘80s and ‘90s when he declared that “Laziness is a trait in blacks”. He even incorporated that bigotry into his political campaign by proposing that he will build a wall between the U.S. and Mexico, blaming “illegal aliens” for most of America’s woes in the process and calling them “rapists and murderers” in the process, and calling for a “total and complete shutdown” of Muslim immigration, which racializes Islam whether he understands it or not. This all came to an absurd head right before the October 9th debate in St. Louis when Trump attempted to counter the #TrumpTapes by holding a press conference with the women who accused Bill Clinton of sexual assault. Continue reading →

By: Jordannah Elizabeth

I am a direct result of child inclusiveness in the arts. I would like for us to consider others & create rights for children to hold space in every part of the world and in every situation.

Photo By: Shannon Wallace, Blacks and Blues.com

Children are the replaced, polished planks of our mistake’s wooden floors and the portals of truth and forgiveness behind our regret’s wooden doors. We must include them in our personal manifestos, in our acute artistic realities and in our day to day longings. We have been given the responsibility to feed and build literal futures.

In our current arts communities, we are creating, if not influencing an ingrained pattern of separation and a lack of expressive fortitude that could certainly be provided and developed in the early years of children’s lives by being given the opportunity to hold space inclusive artistic realms.

Does a child have rights to hold space even though they cannot express it? Does a child deserve culture, music, sound and art even though their frontal lobes don’t become fully developed until until age 25? Is the experience of witnessing social diplomacy between the artists, or hearing the eclectic tonal chaos of improvised music a revolutionary opportunity that may mold a child’s ability to discover and enact the freedom of experiential liberation? Continue reading →

Written By: Jordannah Elizabeth

Photo By: Shannon Wallace, http://www.blacksandblues.com

I haven’t been sleeping, but my skin is clean.

I looked in the mirror this morning and noticed that my eyes have been a tint of red for the past few days. I am notorious (only to myself) for not looking in the mirror. I shower, get dressed and dash out the door without much of a thought to my appearance. I just try to be clean, which I feel that is enough as I am not interested in being a beauty queen.

I was up worrying about Black people. The news hit late last night about Alton Sterling´s assassination by Baton Rouge Police. Trigger happy, gun hungry mentally ill men can join the police force to feed their their sick sadistic, murderous hungers. All those movies and documentaries about serial killers talk about how these people have a ¨hunger¨, a yearning and a need to torture and kill their fellow man. Why don´t we make tv shows and videos about twisted cops?

Not dirty cops – not corrupt cops, mentally ill, American Psycho Cops. Continue reading →

Flash fiction by author, writer and speaker, Jordannah Elizabeth.

Photo Credit: Devin Allen

When I was preparing to leave San Francisco to go to Baltimore after the uprising, I was in contact with my mother, my father and my brother. There was one moment when my father in his car talking to me and I heard him say ¨Jesus, they have guns pointing at me!¨ then the phone hung up…..

This morning, I was watching VICE report on Flint, Michigan. I watched the journalism clip trying to connect with how the yellow, chemical latent water was responsible for killing people and making children sick from lead poisoning (Baltimore has a huge youth lead poisoning issue as well). I tried to understand the outrage and fear that was going on in a community less than 1,000 miles away.

So, when I heard about the homophobic mass shooting in Orlando an hour ago, I began to think about ego, micro aggression and micro power struggles that distract us from connecting with and overlooking some serious issues in our culture and maybe even right down to our own behaviors. Continue reading →

Written By: Jordannah Elizabeth

Photo Credit: Jordannah Elizabeth

Anyone who knows me knows I am interested in…almost everything, but I can say that I am particularly interested in following the transits of the planets and the affects their movements have on our earthly experiences and emotions.

June is the season of the Gemini birthday. I scheduled my silent fast around a particular Gemini birthday dinner party which was appropriately called, ¨Gemini Potluck¨ because I enjoyed the company of the friends who would attend. I had already collected a nice pile of vinyls, books, comics, canvases and other artsy trinkets I knew any artist would enjoy so I was able to pick a few items from my collection for the party with ease.

I wasn’t too fixated on Gemini as an astrological affect and transit at the point, but I was still shaken by a couple of falling outs I had experienced and had a small inclination that since Gemini was ruled by the planet of Mercury, which rules communication, the months may have had something to do with my social communications going array – planetarily speaking. I called a car to the party which was 4 blocks away because rain was pouring down outside. For some reason Uber and Lyft´s GPS would cars to an alley behind my apartment in downtown Baltimore, so I learned to call ahead to guide the drivers to the correct spot. Because it was rainy, I was standing in my apartment/row house´s dense doorway where the driver would have to follow my instructions because I wasn’t in eye’s view. Well, one driver continued to follow the GPS instead of my directions and screamed at me because he kept following the GPS, the very thing I specifically instructed him not to do in circles, causing him to drive around in circles three times. Continue reading →

Written By: Jordannah Elizabeth

INTRODUCTION

(I didn’t take any photos yesterday to go along with this post because I left my phone at home… on purpose.) My fast will begin on June 1st.

I was sitting in the back of a small club last night to watch a hip hop show. After an attempt to be depressed by sleeping until 10 pm that day, I had woken up with plans to go right back to bed. My house was lively and full of racket and I heard someone say, ¨White boy!¨ and loud laughter ensued. Racial stereotypes was actually the very subject that had been draining me as ¨white supremacy¨ has become the buzzword and hot topic of the moment in our culture, and I just wanted to get away.

I took a quick shower and walked a few blocks to my destination. I bought myself a drink, opened a tab and sat casually on one of the couches in the club. I made small talk with strangers sitting next to me, but mostly kept to myself  enjoying the few moments I had where I didn´t have to think. I let the music flow over me and sat quietly.

A young woman was rapping that evening and I thought she was very good. She said to the crowd, ¨My brother is in jail for a crime he didn’t commit, everyone say Justice for Joe Black!¨ By this time I was in the back of the room on a bar stool. (I ended up mingling at the very end of the night as some kind acquaintances and friends trickled in.) I wore a fitted white tee shirt and jeans and no jewelry except my wedding rings. I left my phone home because I wanted peace. Nonetheless, I made mental notes of my night as I planned to write this entry with vividness, so I made a point to remember the name, Joe Black.

Continue reading →

By: Jordannah Elizabeth

photo credit: jordannah elizabeth

Editor´s Note: The Village Voice canned this piece because I was overly proficient in asking my editor to submit my contract, w9 and invoice for a previous piece to the business office to be processed. I called the paper to get in touch with the accountant with an intuition that my editor had not sent in my paperwork since it took a miracle to get him to answer any questions I had in regards to editorial information like structure, time line, word count, ect. Instead of being sent to the accountant, I was put in touch with the managing editor, so my editor fired me because I unknowingly ¨talked to his boss¨.

The thing about Jordannah is that she likes to be paid. Another thing about Jordannah Elizabeth is that she is serious about her accounting, invoices and yearly paper trails. Being a top tier writer is not easy, especially now that my industry is in a professional season where publications do not invest in proof readers, fact checkers, copywriters or editors who answer emails (not all editors, you know I love many of you – and I am one and get that the gig is not a cake walk). Now that I can´t play the ¨young man´s game¨ like I used to, being that I have a family, teach children and structure workshops, mentorships and lectures, I need lean on my editorial staffs a bit more – and they just aren´t there.

This is why Publik / Private exists: to cushion the blow of the inefficiency of the journalism industry and to give a place for great writers, artists and musicians to never be turned away.

The Veldt and Brian Jonestown Massacre are bands I honor and respect. I´ve known them in some form or fashion for almost a decade and they gave me a wonderful opportunity to see them play live in New York earlier this month and spoke to me with kindness and inclusion. For that I am always thankful and look forward to seeing their shows when they tour in or near my city again. Artistry and the interest of our subjects must be kept in high regard when writing about them. They are not a meal ticket, they are friends, and I am a bit tired of being a part of an industry who doesn´t put our artists first. Without them, we have nothing to publish. – je

……………………………………….

After almost 30 years of music, tours and miscellaneous memories of rock and roll history, the stars finally aligned to cause two legendary American bands, The Veldt and the Brian Jonestown Massacre to come together in mind, soul and music.

New York City came out in droves to sold out Webster Hall on May 9th to see this once in a lifetime line up blend sonic experimentation and well oiled vocals for a satisfying night of neo psychedelic, soul gaze and Brit pop influenced rock. Both bands did not disappoint as every member in the Veldt and The Brian Jonestown Massacre appeared to be in good health, professional and focused. Anton Newcombe, leader of the Brian Jonestown Massacre, seemed to be enjoying his bond with the crowd, spouting spiraling monologues whose topics ranged from astrology to his experience meeting Robert Downey Jr. in rehab. The Veldt were a bit more concentrated on their sound, creating hair raising walls of sound that were coated with gospel and soul like vocals that would make any audience member a believer.

Nonetheless, it was before and after the sold out shows, once all the strangers had gone, that The Veldt found that they had found kindred spirits in The Brian Jonestown Massacre.

Continue reading →

Written By: Jordannah Elizabeth

Well, you know everything we do here is outside of the box. Either nothing or everything is left to the imagination, but artists like Robert Nix don’t even fit neatly into an all or nothing context of free form publishing. His stark and chromatic style of post punk may not be for everyone, which is and is not the point. Nix has released released a number of albums, is a bold artist and musician and does what he wants on a continual basis. I like that.

Robert Nix is largely recognized as an innovative alternative artist, incorporating alternative, postpunksynth, new wave, pop, classical and progressive rock into his songs and appealing to the ‘intelligent alternative music fan’.

With his unique songwriting style, musical approach and distinctive haunting voice Nix stands out from the rest of the crowd.

“Once in a Blue Moon”, Robert’s latest release, is his 5th. The album reveals an artist dedicated to recording his own brand of song. Nix handles all aspects of the album’s writing, performance and production.